Available Work
Sculpture
Lacquer Series
Feather
Series
Picture Series
Furniture
ABOUT
GALLERY
INSTRUCTION
CONTACT
NEWS
LINKS
HOME |
|
"... I feel
that there are some
fundamental elements that
work together in the universe;
These are in a constant state of flux..."
Giles Gilson
Giles Gilson’s education in the fine arts began when he was a young boy, mainly
since other members of his family were serious students of painting and
sculpture.
He studied with a mentor/tutor for 6 years during his jr. high, and high school
years, and had the equivalent of a college education in fine arts by the time he
was 18. Giles was inspired by Caldor, Magritte, and Da Vinci, among many others.
He made many mobiles during that time, and his school often asked for his
mobiles and other sculptures for their display areas. Much of his work is
influenced by plant and animal life, human cultures, and the adventure of
motion. Giles also studied music as well as the physical sciences and industrial
technology from the time he was a young teenager. In his 20's he studied drama
and theater arts. These are added tools that broaden the scope of the work, and
allow more freedom of expression.
He uses wood as a sculpting medium, because of it’s warmth, dynamic colors and
figure, yet he will use metal, plastics and composites whenever they will
enhance or improve the expression. There are no photographs of the work
Giles did in his teen years. The ones shown were done from the mid 70's on.
 |
|
Giles Gilson
Cirrus
(Cloud Series)
1978
Laminated Woods
15' x 15' (Requires a 30' area
for movement)
Collection of the artist |
 |
|
Giles Gilson
Stratus (Mobile)
1978
Laminated Woods
72" x 27" x 52"
The Lipton Collection |
 |
|
Giles Gilson
From Gigi
1978
Maple
34 1/2" x 9" x 9"
Private Collection |
The "ribbon edge" that Giles uses in so many of his works
is evident in pieces like this one from the 1970's.
 |
|
Giles Gilson
In Search of a New Dimension
1978
Walnut
28 1/2" H x 8" W x 8" D
Schenectady Museum of Art
|
By the early 1980's there is notable evolution in the use
of the "ribbon edge".
 |
|
Giles Gilson
Ribbon Globe 2
1984
Lacquered
Wood
7 1/2" H X 6" D
The Lipton Collection |
Another thought that Giles had during the 80's was the idea of using the
interior of hollow pieces such as turned vessel forms, as an element of the
overview by cutting openings in the wall of the piece, and using vivid colors
inside. This piece from the 90's shows the evolution of the "ribbon edge", the
touches of pearl lacquers, and the interior dynamic.
 |
|
Giles Gilson
Just a Moment
(Sculpted Vertical Form)
1990.7
Walnut (Lacquered Ribbon Graphics, Light
To Dark, Blue Interior, Brass, Walnut Foot
16"H" x 7" D
Mobile Museum of Art |
|